TV_Editor
Los Angeles, CA
Male, 38
I edit day-of-air video segments for a national television entertainment news show. I piece together 1-3 minute segments by laying down the audio of the script (the narrative voice-over), including any “sound bites.” I then take previously-shot footage, including, but not limited too, interviews, still photographs, and graphics. I also add music and a variety of effects to these pieces.
It varies from project to project. Sometimes I work solo, other times I have 5 different people in the bay telling me what to do (which sucks).
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In college, I majored in broadcast industry communications knowing that one day I wanted to work in television. After moving to Los Angeles in the mid-90s, I found work at a small production company answering phones and running errands. At this point I had little to no editing experience. However, I was given the opportunity at this company to become an Avid editor. I started out as an assistant editor, gaining hands-on experience and knowledge of editing. After assisting for a year, I was promoted to a staff editor position.
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Short answer, yes and no. Most "good" actors have the voice training to pull it off. That does happen when there is a problem with the audio recording and the need to re-record. Usually if it's an off camera voice over read, they'll hire different voice talent.
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Different projects demand different hours. As a staff employee, my current hours are roughly 9 am to 6 pm. However, I sometimes work nights and weekends.
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School Bus Driver
If your bus is in an accident that was ruled your fault, would you lose your job?
Antiques Dealer
Does a piece's value increase significantly if it has a cool "back-story" to go along with it?
Bracketologist
Why have there been so many 15-2 upsets, but no 16-1's?
Sort of. We can stretch the video to make a person look a little thinner. Doesn't really disappear in Hd.
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The biggest thing for me where I work is that fact that we are a "tapeless" company. I no longer have to physically load tape and digitize it in my edit bay. Cameramen bring back the footage on disk and it is "ingested" into our system faster than real time.
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My day is broken into two different edits. My morning edit has to be ready to air by 1 pm. There is no room for error and no time to focus on anything else. My afternoon edit, while no less important, is a bit less intense and it leaves me some breathing room as these pieces usually air at a later date. I cannot speak for other editors regarding “medications” to focus. I usually just have a cup or two of coffee and that seems to get me through the day.
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