SitcomWriter
Los Angeles, CA
Female, 33
For over ten years, I’ve had the extreme pleasure of being staffed on several half-hour network sitcoms, rising in the ranks from Staff Writer to Co-Executive producer. My writing partner and I are now developing our own material.
I have my dream job and I still hate it about half the time. The hours suck. Plus it's very hard when you really love a joke or an idea and your boss says “no.”
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Sometimes I like to be the bigger person and think why do I get to decide what sitcom is funny/original/worth the ratings? I mean if millions -MILLIONS- of people love Two and a Half Men they can't all be wrong. Then I watch Two and a Half Men - and I'm as stumped as you are. My best guess is that it's easy. You get home from a hard day at the office and sometimes it's nice to not have to think. The characters are basic. You know what they're going to do. The plot lines are easy to follow. You know what's going to happen. And it's chock full of extremely dirty jokes that we're not allowed to do on other shows so it send those "They went there" shivers down your spine. Also there are fart jokes.
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I always knew this is what I wanted to do. I assumed it's what everyone wanted to do. And since everyone can't be a sitcom writer they "settle" for being a doctor, lawyer, indian chief whatever. Imagine my surprise when I discovered people actually want to be things like doctors and save lives instead of writing dick jokes. Crazy. How would I reply to being told it was hard to make it as a writer? I guess I'd say I can't imagine doing anything else. This is my dream job. It's worth putting in the effort. Someone has to be the lucky one who gets to do it. Why not me? But I'd also say that I'm not under any illusions of this being a cake walk. I came to Los Angeles knowing that if I didn't find meaningful writing work in five years I'd go back to the East Coast and re-think my career choices. I wanted to be a writer. I didn't want a career as a want-to-be writer.
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Short answer -If not most at least a good chunk. If you're starting from scratch it is the easiest (not easy) way to get on a staff. Most of the shows I've been on the most senior writers' assistant gets to write a script. If it's good you might even get moved up to staff writer. At the least you learn the ins and outs of a writers' room. You meet all the writers and if you have any talent we are all dying to help you out. (that is 100% sarcasm free - we know how hard the assistants work and we want them to succeed) I would say the second most common way to get your foot in the door is through one of the fellowships or writing programs some of the networks and studios offer.
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TV Meteorologist
What were your worst on-screen bloopers?
Court Reporter
How do you transcribe when people in the courtroom are talking over and interrupting each other?
Antiques Dealer
If you buy an item that turns out to be stolen, do you have to turn it over to the police?
This is tough. I think Strangers with Candy, an old Amy Sedaris show on Comedy Central should have gotten the audience of a 2 and 1/2 Men. I think Spaced a British show starring Simon Pegg is close to perfect. Actual American Network Sitcoms? Right now not enough people watch Community (perhaps too insider?). And not enough people watch Cougar Town (perhaps they still think it's a show about an old woman humping young boys?) in my humble opinion.
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OMG yes. Hours are long. Deadlines are fast approaching. You're tired. You're stressed. What's the best way to take it out? Argue with someone over which dick joke is funnier. It happens all. the. time.
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There is the occasional stand-up on a writing staff, but it's far from the majority. I would say there are a lot more people with improv backgrounds.
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