I'm Michael Kosta, stand-up comedian (yes, that's what I write on my tax returns). I've performed on The Tonight Show with Jay Leno, Conan, and Comedy Central, and I tour all over North America and Australia. Ask me anything about life as a stand-up.
My mom took me to see Dennis Miller when I was a kid. I loved him. I still only understand 25% of his vocab but his wit, delivery and arrogance always made me laugh. How cool is my mom for taking her 11 year old son to see him? Other comics that I loved and continue to enjoy their work: Brian Regan (a comics favorite), Don Rickles, Gary Shandling (his first Tonight Show still makes me laugh), Steve Martin, Bill Cosby (seen him twice and loved it). Recently I've been getting more into Bill Hicks as well (there is a great documentary out on him right now). Unlike most of my comic friends, George Carlin never really fired me up that much. Maybe I'm a loser, I don't know.
Hell no! As long as I'm not hacky I'm very comfortable performing for high money :) One thing I do like to check a club or theaters website to see what other comics they are booking. If there is a lot of crap on there, then I don't get as excited to perform or I ask for more $. The clubs that book quality acts, as the ones that are usually the favorites of the comics and vice versa.
Managers get 10%, Agents 10%, lawyers 5% I dont have a publicist but a lot of comics do and they would need to get paid also.
Hmm I'm not sure. I don't think I look down on comics that do that. I choose to write all my own material but if I were under a lot of pressure to deliver a new hour each year I would certainly hire some poeple to help. I think what you have to realize is that writers HELP but they don't do the work for you. They submit ideas and concepts and help you work it out but ultimately it needs to be delivered the right way and in your own voice. I'll answer more after I hire some writers :)
School Bus Driver
Hotel Front Desk Agent
Election Inspector
For me, it is just weekends. But I know some comics that will go on a 6-8 week tour where they are gone every single day. The last couple of years I have gone to Australia for 4 weeks in a row. It can get long, very long. We are not with our bandmates or tour manager. We are by ourselves. And allthough that is nice for some of the time, it definitely can get lonely and boring. Hence why you see a lot of comics rely on drinking and drugs to help pass the time.
Ultimately a comic is in charge or how often he/she gets booked. My agent sends me the gigs and I can decide if I want them or not. That being said, if I keep saying no, my agent may stop working for me. They get paid, when I get paid.
In general, clubs work anywhere from Fri-Sat to Tues-Sunday. The rest of the time you could be home with your family, minus the evenings when you would probably do some spots in your town.
This March I was out of town for 6 days. In April, I will be out of town for 11 days. Not bad really.
You just need stage time anywhere. Clubs, bars, colleges, bridal showers, etc. College circuit can be good but don't put too many limits on where you get stage time. If you are brand new, which it sounds like you are, just go up go up go up, over and over again. Different audiences, different ages, different environments.
Your going from music to acting? WOw almost as risky as going from professional tennis to stand up comedy! I hate to sound negative but if you are "deciding" if you should do comedy or not, it probably isn't for you. Go with what is burried deep in your heart (cue soft music). Think back to your kindergarden class when the teacher asked you what you wanted to be when you grew up. I remember I said "Pro athlete or comedian". The odds are always against you but if you are really doing what you want to do, and what you are made to do, it doesn't matter if you make it big, little, rich or poor. Hopefully that helps but I guess it doesnt ;(
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