Stand-Up Comedian

Stand-Up Comedian

Michael Kosta

Los Angeles, CA

Male, 30s

I'm Michael Kosta, stand-up comedian (yes, that's what I write on my tax returns). I've performed on The Tonight Show with Jay Leno, Conan, and Comedy Central, and I tour all over North America and Australia. Ask me anything about life as a stand-up.

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Last Answer on June 11, 2013

Best Rated

Have you ever turned down a high-paying tour slot because the other comics were too hacky?

Asked by ginny over 13 years ago

Hell no! As long as I'm not hacky I'm very comfortable performing for high money :) One thing I do like to check a club or theaters website to see what other comics they are booking. If there is a lot of crap on there, then I don't get as excited to perform or I ask for more $. The clubs that book quality acts, as the ones that are usually the favorites of the comics and vice versa.

Why do stand-up comics complain so much about touring? I mean, isn't that pretty much the job description from the beginning?

Asked by bl0wt0rched about 13 years ago

Yeah I guess you are right. We do complain a lot about it. Do you ever complain about anything at your job? I can safely say that I have never once complained about being booked or having a booker or comedy club hire me. What I do complain about is the shitty hotel they put me, delayed flights causing you to miss the first show, 5am radio spots, hacky comedians and trying to be vegetarian in Peoria, IL. By far the best part of the job is the 45-50 minutes you are on stage performing. Thats the shit. Thats why we got into it. Like every job, there are other parts that you didn't realize were going to be a part of it. I certainly don't get treated like a A lister when I am on the road but I've experienced it getting better and better each year and I will say that as you become bigger and funnier, the traveling and life on the road gets easier. OK heading to Applebees now.

What’s the typical cut for a comedian's manager?

Asked by ljenkins over 13 years ago

Managers get 10%, Agents 10%, lawyers 5% I dont have a publicist but a lot of comics do and they would need to get paid also.

When I graduate high school, i am planning on trying to do shows at colleges. Is trying to get into the college circuit right away a good idea? If not, what should the alternative be?

Asked by HardlyOffensive almost 13 years ago

You just need stage time anywhere.  Clubs, bars, colleges, bridal showers, etc.  College circuit can be good but don't put too many limits on where you get stage time.  If you are brand new, which it sounds like you are, just go up go up go up, over and over again.  Different audiences, different ages, different environments.

Which comedian or comedians made you want to get on stage?

Asked by D-Bock over 13 years ago

My mom took me to see Dennis Miller when I was a kid. I loved him. I still only understand 25% of his vocab but his wit, delivery and arrogance always made me laugh. How cool is my mom for taking her 11 year old son to see him? Other comics that I loved and continue to enjoy their work: Brian Regan (a comics favorite), Don Rickles, Gary Shandling (his first Tonight Show still makes me laugh), Steve Martin, Bill Cosby (seen him twice and loved it). Recently I've been getting more into Bill Hicks as well (there is a great documentary out on him right now). Unlike most of my comic friends, George Carlin never really fired me up that much. Maybe I'm a loser, I don't know.

When you're a headliner, do you hate when your opening act kills? Does that make it easier or harder for you?

Asked by slayton over 13 years ago

I want the show to kick ass, from start to finish. The better the show from the MC to Feature to Headliner the better the crowd pays attention, and is more likely to come back again and support the comics. When I have a shitty opener or a hacky opener I find that the crowd respects the show less, respects me less and the club. If all the comics are kicking ass, the show is awesome and actually makes my job easier as headliner. The only real problem is when the feature act (the act before the headliner) has a very similar style to me. That can get complicated. Im a cocky, tall white guy who yells a lot on stage. If the opener is the same, the show gets old fast. The good clubs pay attention to who they are booking and make sure that doesn't happen.

If the real comedic talent is in the delivery of a joke, why is it looked down upon when a comic hires writers to write his material?

Asked by smobro over 13 years ago

Hmm I'm not sure. I don't think I look down on comics that do that. I choose to write all my own material but if I were under a lot of pressure to deliver a new hour each year I would certainly hire some poeple to help. I think what you have to realize is that writers HELP but they don't do the work for you. They submit ideas and concepts and help you work it out but ultimately it needs to be delivered the right way and in your own voice. I'll answer more after I hire some writers :)