Ed Sumner
15 Years Experience
Staffordshire, UK
Male, 28
I perform close up magic and stand up magic. I also run a children's magic company called Ready Steady Magic. You can find out more about me on YouTube! =P
As a professional magician and Member of the Magic Circle, I work hard to create incredible events.
Feel free to ask me whatever you wish and let me reveal the secrets of what I do (but not those secrets!)
That isn't a question, but thank you for your kind words.
Maybe you should start with a book from the library.
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As it's your creative output and I don't know anything about the rest of the story, I don't know if I should give an answer but if it's a dream then surely it can be actually impossible. I would go for, magician flips coin on the ground, when the coin lands it turns into a hippopotamus.
I'll take 10% of all royalties forwarded to me once a quarter. Thank you! =P
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I don't personally work with an assistant but although I think non-disclosure agreements are used, I don't know if they are enforceable. As I'm sure you're aware, unless it's actually tested by case law, it's difficult to say if it would be effective. I imagine that damages would have to be calculated based on loss of earnings, but again... how do you start to calculate that?
As much of magic's secrets have a long history and many people are adapting them for their own use, a better place to start would be with what is original to the show - trademarks, copyrighted performances and scripts, performance rights, can all be protected. And where there is a unique method, patents are worth looking at. You might want to read up on Teller's legal battle over his Shadow Act.
Here's one more thing to consider. I heard a great piece of advice once, which was "Never marry your assistant." It was at an event and was one of those throw away lines that got a bit of a chuckle, but actually has some reasoning behind it. Too many magicians decide to set up their show with their wife / girlfriend. If magic is your full time job, that can be a big mistake. If the relationship breaks down, and you don't want to work with your ex-partner, then how do you decide who owns what from the show. Magician's assistants these days aren't, or shouldn't be, just the pretty stage hand that brings on props. They have creative input too, even if their name isn't on the poster. Sooner or later there is going to be a divorce settlement where the ex wife says, I'm having the car, the house, the kids, half the magic props and worldwide performance rights.
My advice is hire a professional dancer and pay a professional fee. Then you can write a contract that says that the dancer is employed as part of the show, and has no right to claim any ownership of it.
Thanks for your question. Hope I got you thinking about the complex issues, even if I couldn't quite answer your question exactly.
Edit: I answered a similar question to this earlier too. I said the same thing! Good to see I'm being consistant.
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That's great, because I don't have an answer.
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School Teacher
Do you think teachers are underpaid? Why?
Parcel Delivery Mailman
Does labeling a package "fragile" actually lead to you handling it with more care?
Birthday Party Clown
What's the meanest thing a kid ever said to you during a party?
*Shakes magic 8 ball...
"The outlook is probable"
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I think that you should enjoy the performance. As I have said in multiple other answers - I do not reveal secrets. If you seriously want to learn magic, then I suggest you buy a book and learn it the same way everyone else did. As with anything, it takes time and effort to master it.
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Firstly Joseph - you have the right attitude! Knowing the secrets to hundreds of tricks, does not make you a magician! Instead it's best to learn a small repertoire of routines that you can do really well. For a beginner, I usually say six to eight routines is a good start. I regularly perform about 15 different routines, with about another 15 as my back up material that I perform occasionally.
There are many books that I can suggest to learn routines from, but that really does depend on what type of magic you are interested in.
For the magic theory, I suggest Strong Magic by Darwin Ortiz. The principles in there can be applied to all types of magic.
For some interesting essays on the philosophical, theatrical or moral issues in magic, I suggest Shattering Illusions by Jamy Ian Swiss (I think it's out of print, but his second book is still available).
I also enjoyed Kid Control by Julian Franklin. That's focused more on managing the behaviour of children at birthday party shows, but... as magicians we are often interacting with people so I found it quite useful across the board.
I've also heard good things about Maximum Entertainment by Ken Webber, but I haven't read that myself.
And lastly, for a real education in magic, don't just stick to magic books! Read about or take classes in drama, public speaking, confidence building, clowning and dancing.
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