Professional Dancer

Professional Dancer

danceypants

Brooklyn, NY

Female, 25

I am a professional NYC contemporary/modern dancer. I work freelance, dancing in various projects around NYC. It ranges from performance art, flash mobs, and various styles of modern/contemporary dance. It's tough, I hustle everyday. I also bartend to pay the bills and work at a dance studio for discounted classes. It's a struggle, between auditions, classes, and maintaining artistic integrity. But I love my life.

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Last Answer on March 05, 2014

Best Rated

What's your dream opportunity? Put another way, what are the best jobs freelance dancers hope to get?

Asked by dara n over 13 years ago

My dream opportunity is to not be freelance anymore! haha I would love to sign a contract with a company and do a tour. I want to travel and it's the best way, you get paid, you get a per diem, and you have all your housing and travel expenses covered. But sadly, right now a lot of the people I want to dance for aren't hiring. Or they are hiring, but just people they already know. Most big name companies (Martha Graham, Paul Taylor, Mark Morris) only hire people they know, i.e. follow them and take their classes wherever it may be held, everyday. But, I don't know if I would even end up liking going on a tour. I was offered a tour and a contract when I lived in North Carolina and I turned it down to move back to NYC (I went to college here) I have friends who have been on tours for 4-8 months. Some love it, some hate it. Living out of a suitcase, being away from family, friends, spouses. As a freelancer, work is inconsistent, the best job you can get is something that offers you some consistency, for example, paid rehearsals 4 times a week, 2 paid performances a year. Maybe a Summer break then back to it. But that isn't ideally a freelancers schedule. You rehearse for a project for 6 months, perform. Then If the choreographer needs you again, they will call.

Did you ever have a wardrobe malfunction?

Asked by Docwh0 over 13 years ago

I have a larger chest, so I have had wardrobe malfunctions. But one hasn't happened since high school. Nothing too crazy, Generally I had on an undergarment so it wasn't very scandalous. I have seen a girls strap break on stage, she handled it well, she kept going and fixed it when she exited. Rule of thumb is never stop dancing. I've been in work with nudity, so nothing really fazes me.

You mentiioned having been in work with nudity. Pls elaborate?

Asked by AFF over 13 years ago

While I was studying at a dance festival, the group of people I was working with, was asked to do an underwater/dance photo shoot with a fairly famous photographer from LA. She wanted us to be naked. After rehearsals though, the project fell through. But let me make this clear. I only do projects with nudity IF and only if there is a purpose and a direct correlation between the nudity and the integrity of the dance work. Many choreographers now have nudity in their work for shock value, to be "artistic". I'm sorry, but walking out on the stage naked and reading from a book while you eat an apple isn't dance.

Is there a dance performance from any recent awards shows (VMAs, Grammys, etc) that you and your fellow dancers consider to be the best of the best? Like the one you guys couldn't stop talking about?

Asked by tabitha88 over 13 years ago

no, not that I can recollect. Most of the stuff on tv is commerical dance, which is cool, but not what I do. I think a lot of choreography is lacking in award shows.

do most of your co-dancers do it full-time, or is it mostly side gigs etc?

Asked by Botwin over 13 years ago

Most of us have side gigs. Unless you have signed a contract with a big name company that is bringing in a lot of revenue, chances are you are a dancer/bartender/server/etc

If you got an offer to be a hoochied-out dancer in a hip-hop video, would you do it?

Asked by fortydecue over 13 years ago

absolutely not.

Biggest wipeout or catasrtophe on stage?

Asked by marlon over 13 years ago

I have never fallen, tripped, or face planted. THANK GOODNESS. But, one time I had to make a cross over. (I exited stage right and had to re-enter stage left) So I had to run down this narrow hallway between the scrim (back drop) and the wall. Apparently, a stage hand had left a metal chair or something sharp back there because as I was running down the little hallway, I ran into it and cut my shin. First off, it hurt....really badly (shins don't provide much meaty cushion) secondly I was wearing pink tights and blood was running down my shin. I didn't have time to do anything so I kept dancing, grit my teeth and finished the piece. Unfortunately I didn't have any more exits. Another time, I was in this piece that had us spinning onto the stage from the wings. The music was complicated, and I always screwed up my entrance. Lo and behold, I entered on the wrong count. Thankfully I didn't crash into anyone. I just realized pretty quickly and kept spinning in the opposite direction and made an exit. My parents said they didn't notice. haha