Janis
Chicago, IL
Female, 0
I’m a bass player in an independent Chicago-based band called Family Groove Company. We’ve released 4 full-length albums and have played over 800 shows in 34 states, all with no record label or big-name booking agency. My favorite part about being a musician are the connections I make, whether it be in writing sessions with my longtime bandmates, improvisational performances with musicians I’ve never played with before, or interactions with fans at live shows.
Some of my biggest influences when I started playing music more seriously in high school were not rock stars on the radio, but rather local musicians in my hometown of Harrisburg, PA. I would go out to clubs with my friends and see these bands up close who were playing shows to packed houses and having the time of their lives. I eventually got to know a lot of these musicians (who were 10+ years older than me) and they became like mentors to me. It was so much more tangible than idolizing a rock star that one might see in a big stadium, though I did have one of those moments when seeing the band, Phish, in 1996. They were playing a small arena in Lake Placid, NY, and when I entered the venue and found my seats, I was annoyed to realize that my seats were behind the stage. My annoyance quickly turned to awe once the show started, because although my viewpoint was of the back of all the musicians that I had paid to see, it was a direct front view of the entire audience. I watched the show and imagined myself being on that stage playing for those people, and that was the point when I decided I wanted to do that for a living.
I started on classical piano at age 6 at the “suggestion” of my parents and stuck with it for about 9 years. Toward the end of my piano studies, I started dabbling in other instruments, taking brief stints of lessons for viola and harp, the latter of which was an embarrassment insisted upon by my mother that I kept a secret from all my friends. When I got into high school and started discovering new musical tastes, which gravitated toward old classic rock and bands like Phish and The Grateful Dead, I found guitar to be the most relevant instrument and stopped taking piano lessons entirely. I took some formal guitar lessons, but mostly learned by playing along with tapes or with my friends, finally discovering music as a creative outlet rather than rote exercises like my piano lessons. After a few years of playing guitar, and getting quite good at it, a friend lent me a bass guitar and I was instantly intrigued. I loved playing music, but I was shy and never sought out the spotlight. I quickly discovered that bass guitar was a completely essential and directive instrument within a band, but had none of the pressure and spotlight that comes with being a lead guitar player. Not to mention, bass players are far rarer than guitar players, so after just a few months of getting the bass guitar under my fingers, I was immediately recruited for several bands and gave up the guitar entirely. I had found my calling!
As an artist at my level, I’m all about the sharing. That’s the best way to spread your music around if you don’t have a record company doing it for you. Of course I would ideally prefer if everyone who had an album of mine actually paid for it, since the album cost a lot of time, effort and money to make, but more important is that they have it, listen to it, like it, and introduce it to a friend.
Ha, it would certainly be more interesting if we had some juicy stories about significant-other drama, but things are pretty tame in my band. No Yoko moments here.
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Do you think it's ok for NFL refs to play fantasy football?Sure, and we’ll usually opt to “sell out” because principles don’t pay the bills! I’m not talking about doing an endorsement for adult diapers or something shameful like that, but we have been known to take a “corporate” gig here or there whose paycheck grossly outweighs its artistic value (or lack thereof).
Ha, I haven't, but thanks for the great idea!
We have little tiffs all the time, and after 10 years of playing together, we’ve learned the ropes of how to compromise and pick battles. The times we’ve typically argued the most is when working on a studio album. The stakes are high because the end product is permanent and so much time and effort goes into it. We’ll argue over things like how a song will be arranged, how a guitar solo will sound, what order the songs will be in on the album, etc.
We’ll always map out a setlist, taking into consideration things like songs fans have requested for that show, what we played the last time we were in that town/venue, and having a nice ebb and flow to the set. Nothing is completely set in stone, however, so it’s not uncommon to change things up in the middle of the set.
I'm pretty sure my tone is all luck. My signal chain couldn't be more minimalist. I plug my Musicman bass directly into an Ampeg SVT4-Pro head and BSE-HLF 4x10 cabinet. No pedals, no fuss, and I keep the EQ pretty flat. Lemon-lime Gatorade adds an extra boost!
This is very true, and I come across this all the time when performing at shows or festivals where there are other bands on the bill. With few exceptions, I find that I am the only woman amongst the musicians. I am sometimes assumed to be just a band member’s girlfriend who happens to be tagging along! I think guitars and rock-and-roll is generally perceived as a more masculine area of expertise so less women venture into it out of convention. I actually don’t mind the male-dominated aspect at all, because I feel that it gives me a little edge and a way to stand out.
It’s hard to pick just one! Some of my most memorable musical moments have been when I’ve had the privilege of performing with famous musicians that I’ve grown up listening to and admiring, then years later surreally finding myself on stage collaborating with them!
Actually, one of the reasons I was particularly drawn to the bass was because it was slightly out of the spotlight. I had previously played guitar and would always get nervous when I had to take a solo. When I discovered the bass, I remember thinking to myself, "It's like one big solo, but no one's looking at me!" Despite it being out of the spotlight, the bass actually has some of the strongest control musically in the band. As a control freak who's shy, I kinda like that.
Fortunately for me, I have a very good memory and pretty start focus while performing. That's not to say I don't ever slip up, though! If I do start to blank, my best resort is to just NOT think about it, and let my muscle memory take over. Usually my fingers know what to do.
I’ve only played it once, actually, and I wasn’t very good! I didn’t find it to be much like a real guitar at all!
We do a variety of styles of covers, as you know, so I wouldn't rule out a tune like Ace of Spades, even though it's a "slight" departure from normal FGC material. However, in the rare cases that I take lead vocals on a song, the song usually has some meaning to me, otherwise I don't feel as confident about pulling it off. I will start listening to the song on repeat and see what I can do! :)
I don’t typically get recognized out in the “real world,” like at the grocery store or a bank or whatever, but if I attend a concert or music festival around town, it’s not uncommon to get flagged down and asked for a photo or autograph. It’s pretty cool!
It's hard to pick just one, but every year since 2004, we've played a festival in Illinois called Summer Camp Music Festival, and our sets here have always been the highlight of my year. Each year, we've moved up to bigger stages and played in front of bigger crowds, and we get to see our entire Midwest fanbase all in one spot.
The band has never been completely "full-time," so over the years, we've all kept busy with projects outside the band. I actually prefer the variety of it!
My band is sort of lame in the sense that we don’t do too much partying while we’re out on the road. It’s a lot of hard work to drive several hours, set up, play a show, tear down, then repeat, so usually we’ll opt for a good night’s sleep rather than trash a hotel room or drunkenly throw a TV out the window. Probably one of our most intense moments on the road was during a February 2004 tour through the Northeastern US, where our van and trailer did a 180 on the interstate in some freezing rain and ended up stuck in the snow in the grassy median (luckily, no people or gear were injured!).
That's a good question! I'd like to think that we can keep going for another 25 years. My bandmates are some of my best friends in the world, I love the music, and I adore the fans. Let's keep it going!
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